Tuesday, 1 November 2016

Notes & Quotes

“First thing is I’m an artist and as an artist I will express how I feel with no censorship” – Kanye West on Twitter
“Kanye did not call for approval, but did ask Taylor to release his single Famous on her Twitter account,” said the spokesperson.
“She declined and cautioned him about releasing a song with such a strong misogynistic message. Taylor was never made aware of the actual lyric, ‘I made that b---h famous.’”
I think that these quotes could tie into my investigation because they offer differing statements regarding the crudeness of Kanye’s lyrics whilst also highlighting and debating on the idea of freedom of self-expression. Kanye is clearly a believer in freedom of speech which comes across both in the music video and in his later statements regarding it. This would allow me to use these quotes to construct a back-and-forth argument for/against censorship using the very person it involves and I could then apply this to the wider range of similar music videos.
She wrote on social media: 'Where in the video of Kanye telling me he was going to call me 'that b***h' in his song? It doesn't exist because it never happened. You don't get to control someone's emotional response to being called 'that b***h' in front of the entire world. Of course I wanted to like the song. I wanted to believe Kanye when he told me that I would love the song. – Taylor Swift - http://www.dailymail.co.uk/tvshowbiz/article-3827274/Kanye-West-s-original-version-controversial-track-Famous-leaked-Taylor-Swift-going-like-one-less.html#ixzz4NiziG900This quote provides evidence of the backlash that a lack of censorship or even consideration of others can cause when artists decide to name and shame others in their songs. This could provide evidence for a debate regarding censorship of opinions regarding others and whether or not misogyny towards other artists should be allowed when it is masked as “freedom of expression” by the artist who wrote or produced the piece.
The first music video ever banned by MTV was in 1982 when Queen released their homoerotic video for "Body Language.” -http://www.altpress.com/features/entry/no_offense_music_videos_are_still_prone_to_censorship_but_does_it_matt
This is interesting as it shows that censorship is nothing new and has been an ongoing phenomenon for years, now. I could therefore explore the concepts of longevity in this field because it shows that censorship seems to be a process that is “here to stay”, thus far. This being the first music video banned by a now main music corporation could have caused an uproar by audiences which would be interesting to research further as it shows the social impacts of this process from the audiences’ perspective and thus provides us with the other side of the argument – that censorship is NOT okay.
“Lady Gaga, artists have seen that videos with too much sex, too much violence or too many drugs (but usually too much sex) pushed off the air.” – This piece of text is also very relevant as it explores the common practice of particularly sexual videos being censored. It also suggests that, again, this has been happening for years yet artists are still producing this type of attitude. This shows that they are “standing their ground” and showing that they will still produce their content, regardless of others’ opinions or the possibility of their work being taken down. However, it could be argued that controversiality could be the actual reason for why certain artists will still broadcast their work. It could be the case that they’re wanting a reaction, in order to stay relevant in the media. It could all be a façade for publicity reasons and they therefore may not care or may be glad that their work has been taken down or censored because they are aware of the impacts of this (that they would, as a result, get media coverage from their piece which indirectly promotes their work and their brand as an artist). It’s interesting that Lady Gaga is mentioned, particularly, in this quote because this ties in very well with the idea of being extravagant and crossing boundaries in order to gain fame. An example of this is when she showed up to an event in a meat dress.
 “According to the powers that be, music videos are now so subversive that they require film-style age certificates. - https://www.theguardian.com/music/2014/aug/23/will-age-rating-classifications-music-video-work -This is an interesting comment since music videos are now being compared to films. This means that people are looking beyond the artist who may have written or sung the lyrics and looking more at the institutions behind the piece of production (referred to, here, as the “powers that be”) at being held responsible for the decisions of broadcast of media texts. This article is also questioning the validity of the process of age certificates and whether or not it would work for music video content which provides text to analyse regarding the necessity of such processes being conducted.
“Robin Thicke's Blurred Lines gets banned at another university” - https://www.theguardian.com/music/2013/nov/12/robin-thicke-blurred-lines-banned-another-university - With this being the title of the article, this attracts audiences who have already been exposed to a similar article because it says ”another”. I find it particularly interesting that this idea of being too sexual has seemingly become a topic of news, as big firms such as the Guardian are even concerning themselves with the matter. This makes me wonder whether the case could be that the only reason this controversy is relevant is because so many large firms are pushing for censorship. This could explore the ideas of 50 Cent who states that It's not really a tragedy to me that that's happening," 50 Cent said. "I think for a moment a lot of people forgot that our country's at war. They'll point to usage of content in music like hip-hop and say it maybe influences violence on some levels and not point to actual films that are released and have similar content. I personally believe on every level that it's easier to attack an individual than it is to go after a corporation. They'll go after a specific hip-hop artist as opposed to a Paramount or a Columbia Pictures.” (http://www.billboard.com/articles/news/1052066/50-cent-ti-speak-their-minds-on-lyric-censorship) – The reason I think these two quotations link is because on the one hand, you have large institutions (universities) banning the work, blaming the individual and then there we have an individual speaking out on matters of what he seemingly believes to be social injustice about the masses who blame individuals rather than a corporation. These two contrasting views could help me during my discussion about the true intetions of censorship[and whether these intentions come across as well as how they are perceived by audiences and how it develops either the presence or absence of censorship in the future.


http://www.huffingtonpost.com/2013/06/18/robin-thicke-blurred-lines-rapey_n_3461215.html - Robin Thicke’s ‘Blurred Lines’ Dubbed ‘Rapey,’ Hit Song Under Fire From Critics - Yet again, here, we have another eye catching title which in itself could cause controversy within the comments of the article from those who criticse or agree with the views of whoever wrote the article. The artist in question himself, here is also fighting back the critics by defending his work: We tried to do everything that was taboo. Bestiality, drug injections, and everything that is completely derogatory towards women. Because all three of us are happily married with children, we were like, “We’re the perfect guys to make fun of this.”
People say, “Hey, do you think this is degrading to women?” I’m like, “Of course it is. What a pleasure it is to degrade a woman. I’ve never gotten to do that before. I’ve always respected women.” So we just wanted to turn it over on its head and make people go, “Women and their bodies are beautiful. Men are always gonna want to follow them around.” – This is from the article and I think it may be of particular use in my investigation because it could contribute to discussions regarding whether or not lack of censorship in a video or production of such an obscene video could be justified by the artist’s intentions and views of their own work and perhaps of others who may produce similar kinds of work.

 

How did it become such a lightning rod for moral outrage and censorship? - This one directly mentions the topic at hand which is help as the article is focusing on the ideas of censorship. This could benefit me greatly in terms of being able to explore the opinions of whoever wrote this article in relation to the topic of interest. It also explains the story behind how this text became such a “cause for concern” and engaged a “moral panic” as it seems it has, by audiences.
https://www.emaze.com/@ALQIZFIR/Music-video-censorship-and-regulationship

Word Count: 1435, at present.

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